Project Based Learning in music – part 2

This year with my year 13 music students we are deciding to make a point of not focusing on assessment as being the driver of learning in class (as it should never be but is rarely the case in most NZ schools).  Therefore we are deciding to focus on projects our students can complete through the year.  Projects such as making an album, composing for student films, making music videos. You can see details of my holiday planning for this course here.

We are now nearing the end of term one, and what a busy term its been.  But what is hugely satisfying is that the majority of my class are loving the projects they’re working on and making great progress.  It should be noted that not all students in year 13 music have decided to have a project as a major focus.  They’re quite happy completing the tasks and learning as required by NCEA and that’s great. So, what has this PBL thing looked like this year?  Well, a bit like this:


We started the year spending quite a bit of time searching for inspiration and listing the interests and skill sets of the students.  I’m very big on collaboration and I want the students to help each other out as much as possible.  To keep our ideas and skills at the forefront of what we do we created an Inspiration Wall where students pin up interesting musical related images and text as well as list their outline of their project.

Students have also setup WordPress blogs where they keep a diary of what they’ve found interesting in class and on field trips. Every time we do something in class, or they do some work, they’re expected to document their progress on their blogs. You can see some of them here:

https://jamesmurraymusic.wordpress.com

https://blipblipbang.wordpress.com

https://gusellerm.wordpress.com

https://maxmusic42.wordpress.com

Reading through the blogs you can see we’ve done a few things to focus the students on the craft they need to develop to realise the art they want to produce.  These have been:

  • Guest presenter – Luke Di Somma (local conductor, producer, arranger, composer, MD, etc).  The students were very inspired by chatting to Luke and he dealt with issues such as: where he finds creativity, how he manages his ‘business’, what motivates him, what is required to ‘make it’ in the music industry, etc
  • Visit to local studios and tertiary providers – as recording and technology is a big part of the students’ projects we visited MAINZ and had a great presentation from Ivan Shevchuk.
  • Watching music production tutorials from AVID doing our own mix of the tracks shown in the video.

For the rest of the term we’ve been largely focusing on getting the first part of their projects completed.  This has involved teaching them about how to use our recording equipment and how to mix.  There has been a lot of one-on-one instruction about crafting their compositions and arrangements.  At this stage, we’re just trying to record demo’s of everything as it’s unrealistic of them to produce good quality recordings in term 1 when they have so much learning to do around music production.  It will mean a lot of recording and mixing in term 3 and 4 so we’ll see how we go…

To assist with their learning about recording and mixing we’re going to start a course in mixing through Weathervane music.  Their Instructors Toolkit looks like it could be a great syllabus to work into our music course to advance their music production skills.  I’ll do a separate blog on this once I start using it with my students.

Where to from here…

Well, we’ll need to refocus on what it means to be creative and to make great Art.  We’ve spent quite a while focusing on their craft and finishing the first aspect of their projects, so we need to redress the balance and get focusing on what they are trying to achieve with their project by the end of the year. We’ll get more industry professionals in to talk to us and will visit local producers who can demonstrate their workflow and assist with the discussion around where to find inspiration. Students need to do a stocktake of all they’ve accomplished this term and now that they know what they’re in for need to come up with specific goals that must be achieved in term 2.

We’ll also be joining with the year 13 media class to provide the music for their original short films they’re creating.  This is very exciting and as we’re well setup at St. Andrew’s College with movie composition tools and equipment I’m expecting to see some very professional looking/sounding films in the StAC Film Festival this year.

10 great resources for teaching recording and mixing to high school students

In New Zealand we now have the wonderful opportunity to teach recording and mixing skills to high school students.  We have Unit Standards that allow us to assess and provide credits towards a course of work in the area of Performing Arts Technology and Music Technology.
However, these Unit Standards only tell us the ‘outcomes’, not the pathways teachers should follow to teach the students to the info and develop the skills.
For NZ teachers I’ve produced a series of resources (documents, tutorial videos, eBooks, assessment schedules, etc) that are written specifically for the NZ system (although the resources are generic enough to be of assistance to anyone wanting to learn about recording and mixing).  These can all be found at www.learningideas.co.nz.
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However, there are many other fantastic resources available that can help teach students about recording and mixing.
  1. Alan Parsons Art and Science of Sound.  This is a fantastic DVD series and covers all the basics of recording instruments and provides great background theory on the developing of recording technology.  The chapters on mixing are very weak though but the videos on recording are gold.  A new accompanying book has also just been released and is available at Amazon.
  2. Mixing Secrets For the Small Studio by Mike Senior – while this might be a hard read for students I’ve not come across anything that explains the concepts of mixing as well as this.  It’s all too easy to use presets on plugins thinking that they will provide you with a good mix (FYI, presets are never the answer!).  This book goes way beyond that showing you how to approach the mix for each song along with the specifics of the techniques for using EQ, Compression, etc.  I’ve bought this book twice as well as on Kindle I love it so much!
  3. Shakingthrough.com – This is an amazing website for a recording studio (Weathervane Records) that records artists but also documents the process from a technical/recording viewpoint as well as a creative/compositional viewpoint.  All tracks of songs featured in the videos are available for download so you can practise your mixing chops.
    They have just released a new educational course in mixing.  I’ll be using this with my students in 2015 so I’ll write blogs about how well it works.
  4. How To Listen app from Harmon – a great tool for teaching students to associate frequency boosts and cuts on EQ with Hz numbers.  This app helps to train their ears to listen critically to frequency ranges and to learn to associate descriptions with those ranges.  Also worthy of a mention is the “hearEQ” app for iOS available on the app store.
  5. hearEQ for iOS from the app store – another brilliant ear training tool – especially it’s ‘learn’ feature which allows you to boost and cut various frequencies of any song in your iTunes library.  Also worthy of a mention is “Quiztones” also available from the App store.
  6. Recording Secrets for the Small Studio by Mike Senior – probably a better book for advanced students who already understand the basics of recording techniques.  This book is excellent at giving tips for recording in less than ideal environments (which most schools are stuck with as very few schools can afford purpose built studios with excellent acoustics).  What is also really great about this book though is the advice that Mike gives with regards to working with performers and how to get the best out of them.  Overall, full of wise advice from one of the best people in the business.
  7. Soundonsound.com – this website (and associated magazine) is the best recording/mixing magazine out there.  It’s the best way of staying up to date with the latest releases in music technology equipment.  Articles are well written and full of practical advice.
  8. Pensados Place – Definitely for more advanced students and teachers… this fascinating production from Dave Pensado, one of the top mixing engineers in the music industry, regularly interviews the top mixing engineers, performers and producers.  The insights into the creative process from people who are at the top of their game and the best in the LA, NYC and Nashville music scenes is really fascinating.  Also great is the “Into the Lair” segment where Dave provides really clever (and often advanced) mixing techniques.
  9. Groove3.com – this website provides excellent video tutorials for all the major DAW’s.  You can pretty much learn everything you need to know for any DAW (like Pro Tools, Studio One, Logic, etc) by watching these 2-3 hour tutorials.  Add in another 3-4 hours of working on what is shown in the videos and inside a day you can get up and running with any DAW.
  10. Live Audio Basics DVD from Down2Earth – this can be pretty painful to watch (I wonder if Americans find it as painful to watch as my students and I do? – could be a cultural thing?) but the content and clarity with which live PA systems are explained is the best I’ve seen.  Yes, the focus is on live PA (and this is supposed to be a blog about recording and mixing resources) but their explanation on signal flow, maintaining Unity Gain, Aux/buss sends,etc are brilliant and all vitally important to recording systems as well.
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I have other resources I use as well, but these are my top ten (of course aside from the resources I’ve written available at http://www.learningideas.co.nz).  Go ahead and list your favourites in the comments section.  I know there are a lot of great websites out there so feel free to list them.
Happy new year!  May your 2015 be full of creative goodness!